
So, I decided to get back to this blog after around four years(!) because it's a good place to make note of things. Whether or not I can follow up remains to be seen.
So, Elden asked some very interesting questions which completely changed the way I look at my lessons and my relationship with music and musicianship.
Here are the questions and my answers:
1) Describe yourself as the ideal version of you as a musician. What
are you like? What is your music like? Is it instrumental or singer-songwriter?
what do you play? Piano guitar, both? What are your day to day activities as a musician?
Do you perform? If so, describe your ideal balance of activities.
Ideal me plays better than current me does now.
But if I did have more
advanced skills, I would want to use them to play mostly instrumental music,
preferably my own compositions or improvised pieces, including arrangements of
others’ music. I think my music, whatever the genre, would be impressionistic,
in the vein of Debussy, perhaps, or some more contemporary version of that kind
of music. I would like it to be complex,
perhaps bringing together different elements (rhythmical, harmonic, melodic,
textural, timbral) or ideas that at first seem not to go together but, once
joined, surprise with how well they enhance one another’s beauty and depth.
I would want to play both
piano and guitar, but my goal in learning to play any intrument is not so I can
perform, primarily (at least not as an entertainer), but so I can hear
the music that’s in my head, both written and imagined. Some of the music I
hear in my head is jazz, which I haven’t really learned to play as yet. A third
instrument that I would like to “play” is my voice. That’s the instrument I’m
most experienced with and it’s possibly my main instrument, though it isn’t a
chordal instrument, so it’s limited in that way. I guess of the three
instruments, voice is the only one I’d enjoy performing with as a way of
entertaining others, as long as I don’t have to accompany myself! 😊 (Only because
I’m not very good at it, although if I’m ideal me then I would have no problem
with that!)
If I had enough time,
ideally, I would like to spend my day creating and playing music. I’m not sure
I know what musicians do day to day, but I suppose they practice, more
pointedly for upcoming performances; less goal-driven for general maintenance.
But I think they must also listen to music, mining it for ideas, perhaps. In
that same way, I think listening to music should also be part of my daily
activities, ideally, and analyzing it for how I can use it in my own practice
(something I’m not doing enough of now). This is akin to what writers do in
their day to day activities—write, edit, read, study writing. I guess I would
apply those methods to creating music as well—play, listen, analyze,
intensively practice with problem-solving in mind to work out difficult parts
of the process.
2) What are 5 existing musical pieces that would represent your
ideal aesthetic?
Claude Debussy: “Clair de
Lune”
Marcus Norris: “There Can Be
No More Kings: A Hood Fantasy" https://www.youtube.com/watch?v=x80-X_QcFFg
Keith Jarrett: “October 17, 1988”
Miles Davis: “Flamenco Sketches”
Toru Takemitsu: “Rain Tree” https://www.youtube.com/watch?v=e0jO-WN9U9U
3) If you could write only one musical composition (under 4 mins in
length) that represents you, what would it sound like? What would it include?
Be as detailed as possible
(Or just begin writing it LOL)
Wow, this is an interesting,
difficult question. How to describe a hypothetical musical composition? The
first thought I had was the metaphor of a rain forest, mostly for the depth and
breadth of sounds that can be heard there—birds, other animals, rain,
insects—at different levels—top, middle, bottom of the trees—and across the
area. I’d like my composition to have that kind of range and complexity—of
elements and melodic lines and harmonies. It would be interesting in its layered
combinations that are surprising and also beautiful. The only problem is I might
not be able to play it myself on a single instrument, so I’d need other
musicians to help bring it to life.
4) What are you most interested in studying in music right now
and in the future? What interests you the most and what would you like to
learn more about?
Answering this set of
questions was very enlightening for me. I see now that I really would like to
learn more about
a. writing for
multiple instruments--instrumental pieces, primarily
b. playing jazz on
guitar
c. continuing to
study music for composition ideas
d. continuing to employ
good methods for improving technical skills
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